Eps 1610: Art and colour
— The too lazy to register an account podcast
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Isobel Graves
Podcast Content
In the context of artistic production and artistic education, this relation is explored more reflexively and metacognitively, emphasizing the relationship between the artists mind states and the types of colours that he or she uses to portray those states, and also the effect that those colours have on the viewers of art. From scholarly literature, but also case studies, it is possible to argue strongly that the colour psychology is a powerful element in the creation of art, often correlated directly to an artists emotional state. This article is focused on the ways in which artists utilize color in response to emotions, the cognitive operation of such an effect, and its potential for a second-order effect on the viewers of the artwork.
For artists, colour is used to explore visual perception, as well as represent or invoke emotions. Colours that provoke positive feelings in an artist can evoke positive emotions; or, a contrary approach may be used to portray negative emotions. Artists employ these colour relationships to accomplish various effects, such as dramatic contrasts, or colors that are visually appealing when combined.
Colors in the yellow, orange, and red families are generally warmer than those of blue, green, and violet families. There are six third-order colors: red-purple, red-orange, blue-green, yellow-green, blue-purple, and yellow-orange. If you go around the color wheel, you find the same sequence across the colour spectrum: red, orange, yellow, green, blue, indigo , and violet.
All the other colors found on the color wheel can be created by mixing primary colors together. Secondary colors include orange, violet, and green, which are created by mixing an equal amount of two primary colors together.
The printing process uses a variety of base colors, rather than red, yellow, and blue, which are used in paintings. Unlike a color wheel, the Painters Color Triangle places greater importance on primary colors, and makes combinations among them easier to see because of the triangles three-sided shape. The 12 section color wheel can be used to help describe relationships between various colors when viewed in conjunction with each other.
Color theory is the art of pairing colors according to the color wheel, which is an organized representation of the primary, secondary, and tertiary colors. Color theory is a set of guidelines on how colors should be used by artists, and it really can help any creative to make smart decisions when thinking of which colors to use in their art. Understanding each part of Color Theory completely helps you to understand more of the importance it has on creating artwork.
The importance of understanding color theory goes well beyond knowing how to simply blend colors . Accurately mixing colors, using color wheels, and understanding how colors relate to one another are crucial skills for artists, designers, marketers, and brand owners.
It is our job, as artists, to go deeper than simply acknowledging and calling colors out, and use colors for their intrinsic qualities, toward a particular goal. Art does in some ways influence our choice of colors, but the most valuable lesson that we can take away from art is that you should follow no ones rules except your own, and color can be anything that you make it. Entire generations of artists now take this bare-bones approach to color, free from the burdens of theories, traditions, or rules of any sort.
For blending, artists would not usually paint with a restricted primary palette, instead including complementary pigments to fill the gaps. It is also helpful to know about the CMYK pattern when it comes to drawing: Many people assume the primaries are red, blue, and yellow, and if they decide to work from a limited palette, the resulting color mixes they will achieve with that are not as varied as those that they might achieve using cyan, magenta, and yellow as their foundation. The CMYK model is not a perfect model to use when mixing pigments, but The CMYK model provides a reference point that helps artists to get the widest possible range of colours out of their pigments.
These include characteristics like harmony -- where two or more colours are brought together and they create an effect that is pleasing; and temperature -- whether a blue is considered warm or cool depends on whether it tends toward purple or green, and a red if it tends toward yellow or blue. I sampled from this ball of blue five areas in order to demonstrate how hues vary depending on how much the color is exposed to direct light. We see colors as waves of light, so mixing the red, green, and blue lights at varying intensities produces a range of hues that we work with in digital design, screens, projectors.
With regards to artistic criticism and biographical criticism, we may want to look at how color psychology within artistic processes helps artists to translate to meaning, thus to connect with emotions, making an active association between artistic processes and cognition .