Host
Katherine Edwards
Podcast Content
The intruder says he is being chased by police as he has already killed someone. The intruder replied that it was no problem, since he was going to put on his clothes. The intruder replied that he had not bothered asking the playwright, named Gerrard, permission as he was not going to stay there for very long. He added that he was not extolling the intelligence of the intruder, but wanted to say the intruder will not kill him unless he has an important reason for doing so.
A playwright named Gerrard said killing an individual is a major crime and advised an intruder against it. The intruder thanked Gerrard for finishing his sentence, saying he would stop acting so clever in short order. The writer, named Gerrard, comments that the decision was a surprise, and that he did not ask the intruder to stay with him. He took revolvers and approached the telephone, with one pointing at a wardrobe, just in case the intruder tried to run away.
How a playwright named Gerrard escapes being killed by an intruder who wants to steal his identity and lead a quiet life of identity. Upon stealth, Vincent Charles Gerrard will lead a free life. He thought of stealing his identity to be able to live in peace.
He told his attacker that, unless he was hanged for murder, surely Vincent Charles Gerard would be. The intruder picks Gerrard as the person the intruder wants to assume the identity because he is sort of the mythical person.
Gerrard means the intruder has been unmodest about not telling any information about himself. Gerrard means his society is not a sympathetic public, since the intruder has put the gun into the hands of an intruder. With him being largely involved, it is clear that Gerrard means that it is unclear how any of this is a surprise.
The trespasser wants that trespasser to explain what the mystery is that is attached to him. He pretends the intruder wants to hear from him, when really, the intruder wants to learn the information for himself. The intruder is very clever, answering Gerards questions in an intellectual, ironic way.
Brittomara offered Fabian a chance to become whatever Fabian chose, as long as he gave up that which is really, uniquely his -- his soul. Fabian becomes more possessed of Brittomara, less self-possessed, due to his love for the brilliant Diana. Fabian begins singing her own Hallelujah, and Fabians wistful solo begins to turn into a more buoyant duet.
All the while, Brittomaras bleak counterpoint of Dianas scheming influences continues to dwindle Fabians soul. One hopes for a change in fortune, or discovers that it was all a dream, but Fabians soul has fallen to Brittomaras clutches. In his song Torch, nobody would ever find out Fabians soul had ever existed at all--he did not need to do anything, nothing.
It is genuinely confounded a fair number of people that this poor lady should like her superiors. I am not going to lie, I have had several moments of If I Were You in which I have doubted the affections this sweet lady feels for her boss. When this poor lady died, that really tore the hearts of everybody, including me.
The story centers on a married woman named Madelyn and her husbands lover Lucy . The story begins when Madelyn randomly walks in on her husband Paul and his mistress sharing a seemingly romantic restaurant dinner. Madelyn unintentionally becomes the confidante to Lucy, her husbands mistress, all while hiding her real identity and pretending she is having a relationship of her own.
Things get even sillier when Madelyn is -- again, unintentionally -- cast as a female headlining role in a production of King Lear, with Lucy cast as The Fool. Fortunately, writer/director Joan Carr-Wiggin cast Academy Award-winner Marcia Gay Harden as the titular Madelyn, who squeezes every last bit of comedy and pathos out of a script that has scant amounts of either. While Marcia Gay Harden steals the show, I believe that the other actors actually support her leading role.
If I Was You is a 2012 Canadian-British comedy-drama film by Joan Carr-Wiggin, starring Marcia Gay Harden, Leonor Watling, and Aidan Quinn. In this modern telling of Fausts tale, the Devil makes a deal with an uptight young novelist named Fabian Hart. Madelyns frantic phone calls grip her husband in his guilt, and he, as a result, resolves to abandon his lover at once.